Pocket Placement
An unfortunately often overlooked detail in reproduction 18th century clothing is the placement of the pocket flaps, button hole and buttons. This detail, though small, can really make or break the look of an outfit. Most spectators would not know if your clothing was made out of inaccurate fabric, is cut incorrectly, or is of the wrong decade, but if your pocket is in a weird place they'll be able to tell that something is up.
Pocket and button placement is actually fairly simple. It should follow a straight line. If you draw a line from the bottom most button(hole) to the top of the side vent, the top of your pocket (or at least the top corners) should be right on that line. You can see that illustrated on the pattern to the right and again on the picture of the coat front that I'm redoing (pardon the terrible looking pocket flap; it's part of what I'm redoing). The same guidance is true for waistcoats.
I have seen far too many frock coats and waistcoats that look absolutely wonky because the pockets are either way too high or way too low. It may be a small detail but spectators notice. It has nothing to do with knowledge of historic clothing. The logical symmetry just looks off and people take note.
Pattern Hack: A Note on Button Holes
I have a love/hate relationship with buttonholes. I love how a finished, properly placed buttonhole looks, but I hate sewing them.
In Art du Tailleur, M. de Garsault instructs that buttonholes be spaced about two inches apart on coats and waistcoats, which is a good general guidance. Most extant frock coats have 10 buttonholes, so you may find that spacing your buttonholes exactly two inches apart gives you with extra space between the top hole and the collar. I found that spacing the holes 2 1/8 inches a part gives me perfect spacing for 10 buttonholes. I came to that conclusion after plenty of experimenting, which can be seen by the various chalk marks on the coat front.
Drawing the button holes is fairly simple if you have a quilting ruler with a grid pattern on it. Once you have the first hole drawn, you simply draw the next one parallel to it 2 1/8 inches above it. Keeping them parallel causes the buttonholes to angle in relation to the curved lapel as you move further up the body. I find that most commercial patterns place the bottom button hole correctly, but they lose the proper spacing as you move up the torso so using this method creates a better looking coat front.
Another detail that is overlooked in reproduction patterns is the size of the buttonholes. They are too short. The pattern that I use calls for 3/4-1 inch buttons and then has lines for 2 inch-long buttonholes. In the 1770s, a fashionable gentleman's buttonholes would be about 2.5-times the size of the button. I am using 1 1/4 inch buttons on this coat, so the holes are 3 1/8 inches long. I'm gonna look Macaconi AF when this thing is done!
In a later post, I plan to cover my method for doing long work buttonholes, but I think that I'll leave it here for now.
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